>> by Cynthia Brett
A National Compensation Study conducted by the Cultural Human Resource Council (CHRC) concludes that Not-for-Profit arts organizations continue to lag behind the general Not-for-Profit sector in areas of compensation and benefits, making it difficult to recruit and retain management and administrative staff. The study updates a similar one that was conducted in 2003 because of a growing concern in the arts management labour force: as older generations of managers retire, others in the sector seek better pay and benefits elsewhere. Hence, the turnover rate in Not-for-Profit arts organizations is high: 20% compared to 12% in similar sectors. Although the study shows some improvements since 2003, especially in larger organizations, it states that, "small and mid-sized organizations will likely continue to struggle with attracting and retaining director/management personnel because of limited ability to offer competitive salaries and benefits." Senior Arts Consultant/Manager Jane Marsland commented that, "The reality is that jobs in the arts sector will always be financially under remunerated compared to jobs in the private sector. While we should always be striving to develop the resources to fairly compensate people for their work and contribution, we also need to develop human resource principles and policies in our organizations that will attract the people we need and want for our companies. In my experience the people I've met over the years desired meaningful work, the opportunity to make a difference, to learn, to have a sense of ownership in their job, to develop leadership skills, and most important, to have the security that comes from the knowledge that the work they are currently doing is preparing them to go out and find other positions that will allow them to continue to grow and progress in their career. If we cannot satisfy those values, we will certainly never attract and hold the new generation of arts managers."
Monday, December 14, 2009
Toronto City Council approves billboard tax
>> by Brittany Duggan
A seven-year campaign to pass a tax on billboard advertisers, which would raise money for arts initiatives across the city, was successful when a new bylaw was passed December 7th at Toronto City Hall. Originally scheduled for December 1st, the vote was delayed as the debate within city council stretched over days until a new bylaw governing billboards was agreed upon, with votes 29-12. Strong support from the arts community came largely from the Beautifulcity.ca Alliance, an organization serving over fifty local arts groups under the administrative umbrella of Schools without Borders. The tax to billboard advertisers will potentially create $9 million in revenue to be allotted to the general revenue stream of the city’s budget. The tax has yet to be put before the budget committee, who are set to meet during the 2010 budget process this winter to deliberate on the disbursement of funds to support art in the public sphere. Beautification and cultural projects from these funds could include public art, murals, sculptures, festivals, accessible programming, free admission and outdoor performances. The tax will be imposed starting in April 2010. For more information visit: www.beautifulcity.ca.
A seven-year campaign to pass a tax on billboard advertisers, which would raise money for arts initiatives across the city, was successful when a new bylaw was passed December 7th at Toronto City Hall. Originally scheduled for December 1st, the vote was delayed as the debate within city council stretched over days until a new bylaw governing billboards was agreed upon, with votes 29-12. Strong support from the arts community came largely from the Beautifulcity.ca Alliance, an organization serving over fifty local arts groups under the administrative umbrella of Schools without Borders. The tax to billboard advertisers will potentially create $9 million in revenue to be allotted to the general revenue stream of the city’s budget. The tax has yet to be put before the budget committee, who are set to meet during the 2010 budget process this winter to deliberate on the disbursement of funds to support art in the public sphere. Beautification and cultural projects from these funds could include public art, murals, sculptures, festivals, accessible programming, free admission and outdoor performances. The tax will be imposed starting in April 2010. For more information visit: www.beautifulcity.ca.
Labels:
Ontario
Five Ontario communties to receive artsVest grants
>> by Cynthia Brett
Andrea Vagianos new managing director at TDT
>> by Brittany Duggan
Andrea Vagianos has been named the new managing director of Toronto Dance Theatre. Board president Chris Kelly announced the news on November 11th. Currently the general manager of the School of Toronto Dance Theatre, Vagianos brings over twenty years of experience in the cultural sector to her new post. "I’m thrilled to be joining Toronto Dance Theatre as its new Managing Director. The prospect of working as a partner with Christopher House in both the execution of his artistic vision, and in improving the existing facilities at 80 Winchester Street – for the Company, The School of TDT, and the community at large – is very exciting. I am fortunate to become a part of the Company when it is in such a healthy financial and vibrant artistic state," said Vagianos in the company’s press release. She will begin her new role in January 2010.
Thursday, December 10, 2009
York U. prof's research mentioned in NY Times
>> by Brittany Duggan
The research of Patrick Alcedo, assistant professor in the Department of Dance at York University, was mentioned in The New York Times on November 12th, 2009, for his role as co-producer of a multimedia project that looked at the role of boxing for young men in the Philippines. Alcedo's research for this project, inspired by boxing champion Manny Pacquiao, was summarized in the paper’s online Sports section in a video clip titled “Boxing To Be The Next Pacquiao” and looks at how these young men are trying to escape poverty by boxing for money in hopes of reaching international fame. Dr. Alcedo is currently writing a book about the Ati-atihan festival, a street dance festival that is celebrated in his hometown of Kalibo, Aklan, in the Philippines and by Filipino diasporic communities in the U.S. and Canada. He was also recently elected to the board of the international Congress on Research in Dance.
battery opera charges $267.67 per ticket
>> by Samantha Mehra
As a response to British Columbia's recent arts budget cuts, Vancouver's battery opera will charge $267.67 per ticket for its remount of -LIVES WERE AROUND ME-, a guided tour taking place November 7th and 24th, and December 1st, 8th and 15th. The high ticket price is intended to reflect the actual costs of creating a production, and to comment on the function of public funding for the arts. If patrons cannot afford tickets, the company will accept donations on a first-come first-served basis. (http://www.batteryopera.com/works/lives-were-around-me/).
Labels:
British Columbia,
Funding,
Performance
Dance Central goes electronic
>> by Samantha Mehra
Dance Central, The Dance Centre's newsletter, will now be distributed electronically only. The move is a result of concerns over the environment, administrative costs, and membership needs. Features such as advertising and shared-cost mailings will remain available. Those interested are asked to direct inquiries to member services, or to log on to the member section of The Dance Centre's website for more information. (http://www.thedancecentre.ca).
Labels:
British Columbia,
Changes
Monday, December 7, 2009
Thesis studying CADA-ON's PSD now available
>> by Brittany Duggan
A thesis titled “The Evolution of Professional Standards for Dance in Ontario: CADA-ON and the PSD” was recently completed by dance researcher Christa Lochead as part of her Master's degree at York University. Now bound by the university, the thesis is publicly available for consultation. Through research with the Ontario chapter of the Canadian Alliance of Dance Artists (CADA-ON) during its 2008/09 fiscal year, Lochead was able to investigate the impact of CADA’s Professional Standards for Dance (PSD). “It is wonderful to see this document added to the research in dance,” commented Elizabeth Chitty, executive director of CADA-ON, a professional association and non-profit service organization founded by dance artists for dance artists. Lochead’s focus during her Masters in dance studies was on cultural policy and arts advocacy. Her thesis was completed in July 2009.
A thesis titled “The Evolution of Professional Standards for Dance in Ontario: CADA-ON and the PSD” was recently completed by dance researcher Christa Lochead as part of her Master's degree at York University. Now bound by the university, the thesis is publicly available for consultation. Through research with the Ontario chapter of the Canadian Alliance of Dance Artists (CADA-ON) during its 2008/09 fiscal year, Lochead was able to investigate the impact of CADA’s Professional Standards for Dance (PSD). “It is wonderful to see this document added to the research in dance,” commented Elizabeth Chitty, executive director of CADA-ON, a professional association and non-profit service organization founded by dance artists for dance artists. Lochead’s focus during her Masters in dance studies was on cultural policy and arts advocacy. Her thesis was completed in July 2009.
Labels:
Ontario
Canadian artists protest BC culture cuts
>> by Cynthia Brett
In November, artists from Vancouver and across Canada continued with protests against the BC government's decision to cut 90% of cultural funding, making it the only jurisdiction in Canada not to invest in culture. Artists dressed in grey formed squares outside a Billy Bragg concert and at a Wrecking Ball event. The Wrecking Ball is a creative and satirical evening of political theatre that began in Toronto but went national during the 2008 federal election, helping to change public opinion about the Harper government's planned culture cuts. In related news, participation in BC's budget consultation last month led the Finance Committee to recommend that the government, "Make funding of the arts a high priority in the 2010/11 budget by returning to overall actual funding levels of 2008/09."
In November, artists from Vancouver and across Canada continued with protests against the BC government's decision to cut 90% of cultural funding, making it the only jurisdiction in Canada not to invest in culture. Artists dressed in grey formed squares outside a Billy Bragg concert and at a Wrecking Ball event. The Wrecking Ball is a creative and satirical evening of political theatre that began in Toronto but went national during the 2008 federal election, helping to change public opinion about the Harper government's planned culture cuts. In related news, participation in BC's budget consultation last month led the Finance Committee to recommend that the government, "Make funding of the arts a high priority in the 2010/11 budget by returning to overall actual funding levels of 2008/09."
Labels:
British Columbia,
Funding
Scotiabank Dance Centre news
>> by Samantha Mehra
Mirna Zagar, executive director of Vancouver's Scotiabank Dance Centre, was presented a medallion in recognition of her work in developing cultural relations between Canada and Croatia. Canadian Governor General Michaëlle Jean presented the award in late October in Zagar's hometown of Zagreb, Croatia, during Her Excellency's visit to the area. The Dance Centre says goodbye to Member Services Co-ordinator Leah Rae, who has been on staff for the last two years. As such, all membership inquiries should be directed to members@thedancecentre.ca and will be addressed as soon as possible. In November, the Centre offered several diverse workshops, including classes with Nadia Cusimano, a Body-Mind Centering instructor practicing in Berlin, London and Australia, November 23rd through 27th and November 30th through December 4th. On November 15th, Belly Dance Vancouver hosted "Geisha Mystique: Introduction to Classical Japanese Dance", a one-day workshop with Colleen Lanki of Vancouver's TomoeArts. On November 22nd, Vancouver's Julia Cha held an "Oriental Flamenco Fusion" workshop exploring movement vocabulary derived from flamenco and bellydance.
Mirna Zagar, executive director of Vancouver's Scotiabank Dance Centre, was presented a medallion in recognition of her work in developing cultural relations between Canada and Croatia. Canadian Governor General Michaëlle Jean presented the award in late October in Zagar's hometown of Zagreb, Croatia, during Her Excellency's visit to the area. The Dance Centre says goodbye to Member Services Co-ordinator Leah Rae, who has been on staff for the last two years. As such, all membership inquiries should be directed to members@thedancecentre.ca and will be addressed as soon as possible. In November, the Centre offered several diverse workshops, including classes with Nadia Cusimano, a Body-Mind Centering instructor practicing in Berlin, London and Australia, November 23rd through 27th and November 30th through December 4th. On November 15th, Belly Dance Vancouver hosted "Geisha Mystique: Introduction to Classical Japanese Dance", a one-day workshop with Colleen Lanki of Vancouver's TomoeArts. On November 22nd, Vancouver's Julia Cha held an "Oriental Flamenco Fusion" workshop exploring movement vocabulary derived from flamenco and bellydance.
Labels:
Awards,
British Columbia,
Changes,
Workshops
Simcoe Contemporary Dancers finish up busy performance month
>> by Samantha Mehra
Simcoe Contemporary Dancers (SCD), which formed in June 2009, recently completed a busy performance month. On November 13th, the company performed Jay9 Dance Projects' Wound About, choreographed by Jannine Saarinen, as part of the "Santa's Coming!" event at Bayfield Mall in Barrie, Ontario. SCD performed the same piece, along with Sarah Lochhead's Sea Anemone, at the second annual Barrie Arts Awards on November 14th. Footage from the company's summer project "Get out and dance" was also shown at the awards show. On November 28th, the company performed company-member Nikki Russell's new work-in-progress, Loss, at Toronto's Series 8:08 Choreographic Performance Workshop at the Pia Bouman School for Ballet and Creative Movement. The Series 8:08 performance marked the company's Toronto debut.Wednesday, November 18, 2009
NBS student to make Broadway debut
>> by Brittany Duggan
Liam Redhead of North Bay, Ontario, will soon make his Broadway debut as Billy in Billy Elliot the Musical. Sharing the lead role with Dayton Tavares, who previously played Billy in the Sydney and Melbourne productions, Redhead will be the seventh boy to make his Broadway debut as Billy since its opening in New York City at the Imperial Theatre on November 13th, 2008. Having begun studies at Canada’s National Ballet School (NBS) in 2007, Redhead departs Toronto at age fourteen with classmate Cesar Corrales, who will also debut as Billy in the soon-to-open Chicago production of the show. “I’m so pleased for Liam, this is such an exciting opportunity for him. We will of course miss him at NBS, but we wish him the best of luck. With both Cesar and Liam off performing this challenging role, those of us at NBS cannot wait for them to return and share with us all their stories of learning the role, and appearing on stages in Chicago as well as on Broadway,” said Mavis Staines, NBS artistic director, in a press release issued by the school.
Liam Redhead of North Bay, Ontario, will soon make his Broadway debut as Billy in Billy Elliot the Musical. Sharing the lead role with Dayton Tavares, who previously played Billy in the Sydney and Melbourne productions, Redhead will be the seventh boy to make his Broadway debut as Billy since its opening in New York City at the Imperial Theatre on November 13th, 2008. Having begun studies at Canada’s National Ballet School (NBS) in 2007, Redhead departs Toronto at age fourteen with classmate Cesar Corrales, who will also debut as Billy in the soon-to-open Chicago production of the show. “I’m so pleased for Liam, this is such an exciting opportunity for him. We will of course miss him at NBS, but we wish him the best of luck. With both Cesar and Liam off performing this challenging role, those of us at NBS cannot wait for them to return and share with us all their stories of learning the role, and appearing on stages in Chicago as well as on Broadway,” said Mavis Staines, NBS artistic director, in a press release issued by the school.
Contemporary circus artists eligible for Canada Council funding
>> by Naomi Brand
Professional artists and arts organizations practicing contemporary circus arts are now eligible to apply for funding from the Canada Council for the Arts. While no new funds have been allocated to this art form, support is available through grant programs offered by the Council’s Inter-Arts Office. Grant applications will be assessed by a range of integrated arts professionals including artists working in contemporary circus art. Learn more: www.canadacouncil.ca/interarts.
Professional artists and arts organizations practicing contemporary circus arts are now eligible to apply for funding from the Canada Council for the Arts. While no new funds have been allocated to this art form, support is available through grant programs offered by the Council’s Inter-Arts Office. Grant applications will be assessed by a range of integrated arts professionals including artists working in contemporary circus art. Learn more: www.canadacouncil.ca/interarts.
CDA seeks executive director
>> by Brittany Duggan
The Canadian Dance Assembly (CDA) is currently looking for a full-time executive director. Since 2002, as a national service organization representing the professional dance sector in Canada, the CDA has advocated for a healthy, sustainable environment in which professional dance practice can grow and thrive. The position has become available following the resignation of the current executive director, Shannon Litzenberger. The application deadline is December 31, 2009. More information can be found at: www.dancecanada.net.
The Canadian Dance Assembly (CDA) is currently looking for a full-time executive director. Since 2002, as a national service organization representing the professional dance sector in Canada, the CDA has advocated for a healthy, sustainable environment in which professional dance practice can grow and thrive. The position has become available following the resignation of the current executive director, Shannon Litzenberger. The application deadline is December 31, 2009. More information can be found at: www.dancecanada.net.
Dance NL founded
>> by Brittany Duggan
Labels:
Newfoundland/Labrador
Ontario creates separate dance curriculum
>> by Samantha Mehra
The Ontario Ministry of Education has published a revised arts curriculum that acknowledges dance as a stand-alone subject in elementary schools. The curriculum comes into effect September 2010 after a further revision process. The Council of Ontario Drama and Dance Educators (CODE) recognized the Ministry's move at its 39th annual conference held October 23rd through 25th at the Deerhurst Resort in Huntsville, Ontario; the conference keynote speakers were Karen and Allen Kaeja of Kaeja d'Dance. The revised curriculum can be found on the ministry's website. (http://www.edu.gov.on.ca/eng/curriculum/elementary/arts.html).
The Ontario Ministry of Education has published a revised arts curriculum that acknowledges dance as a stand-alone subject in elementary schools. The curriculum comes into effect September 2010 after a further revision process. The Council of Ontario Drama and Dance Educators (CODE) recognized the Ministry's move at its 39th annual conference held October 23rd through 25th at the Deerhurst Resort in Huntsville, Ontario; the conference keynote speakers were Karen and Allen Kaeja of Kaeja d'Dance. The revised curriculum can be found on the ministry's website. (http://www.edu.gov.on.ca/eng/curriculum/elementary/arts.html).
Sunday, November 8, 2009
Concern with legacy inspires several remounts
>> by Samantha Mehra
Vancouver’s Andrea Gunnlaugson recently coordinated The Legacy Repertory Project to revive works not seen for at least ten years and perpetuate the legacy of local dance artists. It invites original choreographers to remount works and discuss the creation of the piece with a younger generation of dancers. Remounts of pieces by Harvey Meller, Olivia Thorvaldson and Cornelius Fischer-Credo will be performed February 4th through 6th at the Norman Rothstein Theatre by Josh Beamish’s MOVE: The Company. Toronto-based artist Heidi Strauss’s company, adelheid, is working with Sudbury’s earthdancers to present where we are/où nous sommes. The mixed program will be shown December 10th through 12th at Sudbury’s Le Théâtre du Nouvel-Ontario, and showcases work and performances by Sudbury-born artists including Strauss, Denise Vitalis, elleQ dance factory, Brian Solomon and Company Blonde dance projects. Researcher and dance artist Julye Huggins’s online publication about Sudbury’s dance heritage will be launched in conjunction (www.issuu.com/julye/docs). The Niagara Dance Company in St. Catharines, under co-artistic director Mary Jo Mullins, presented Past Hereafter at the Sullivan Mahoney Courthouse Theatre November 6th through 8th remounting works by Patricia Beatty and David Earle. Coleman Lemieux & Compagnie presented remounts of works by James Kudelka at the Fleck Dance Theatre November 4th through 7th, and will tour Kudelka’s choreography in Ontario and Québec in the new year.
Vancouver’s Andrea Gunnlaugson recently coordinated The Legacy Repertory Project to revive works not seen for at least ten years and perpetuate the legacy of local dance artists. It invites original choreographers to remount works and discuss the creation of the piece with a younger generation of dancers. Remounts of pieces by Harvey Meller, Olivia Thorvaldson and Cornelius Fischer-Credo will be performed February 4th through 6th at the Norman Rothstein Theatre by Josh Beamish’s MOVE: The Company. Toronto-based artist Heidi Strauss’s company, adelheid, is working with Sudbury’s earthdancers to present where we are/où nous sommes. The mixed program will be shown December 10th through 12th at Sudbury’s Le Théâtre du Nouvel-Ontario, and showcases work and performances by Sudbury-born artists including Strauss, Denise Vitalis, elleQ dance factory, Brian Solomon and Company Blonde dance projects. Researcher and dance artist Julye Huggins’s online publication about Sudbury’s dance heritage will be launched in conjunction (www.issuu.com/julye/docs). The Niagara Dance Company in St. Catharines, under co-artistic director Mary Jo Mullins, presented Past Hereafter at the Sullivan Mahoney Courthouse Theatre November 6th through 8th remounting works by Patricia Beatty and David Earle. Coleman Lemieux & Compagnie presented remounts of works by James Kudelka at the Fleck Dance Theatre November 4th through 7th, and will tour Kudelka’s choreography in Ontario and Québec in the new year.
Thursday, November 5, 2009
Recent awards in dance
>> by Cynthia Brett
From the Toronto Arts Foundation, Miriam Adams received the Rita Davies and Margo Bindhardt Cultural Leadership Award and Christopher House won the Muriel Sherrin Award for International Achievement in Dance ... Sara Coffin received The Dance Centre's new Santa Aloi award ... Compagnie Marie Chouinard won a Gemini for Best Performance in a Performing Arts Series or Program ... Simon Fraser University Centre for dialogue honoured American choreographer Liz Lerman with the Jack P. Blaney Award for Dialogue ... Erin Cowan won the Paula Citron Award at the Chimera Project's presentation of Fresh Blood.
Labels:
Awards
Ukrainian dance companies collaborate on diverse show
>> by Brittany Duggan
The Cheremosh Ukrainian Dance Company of Edmonton, the Tryzub Ukrainian Dance Ensemble of Calgary and the Rusalka Ukrainian Dance Ensemble of Winnipeg recently collaborated to present “Razom: A Fusion of Ukrainian Dance”. The evening-length performance featured nearly 100 dancers and was the result of discussions among the companies' artistic directors to deliver a show that highlighted the different Ukrainian theatrical dance styles that are evolving across the Canadian prairies. “Western Canada is home to a number of the largest and well-established Ukrainian dance organizations in Canada – so it seemed a perfect fit to join forces to develop this fusion of dance. This is the first time ever, that three major Ukrainian dance companies have come together under one banner to present such a diverse program,” said Senior Producer Lawrence Prout in a press release. Starting in Edmonton on September 26th, the third and final show was held on November 1st in Winnipeg.
The Cheremosh Ukrainian Dance Company of Edmonton, the Tryzub Ukrainian Dance Ensemble of Calgary and the Rusalka Ukrainian Dance Ensemble of Winnipeg recently collaborated to present “Razom: A Fusion of Ukrainian Dance”. The evening-length performance featured nearly 100 dancers and was the result of discussions among the companies' artistic directors to deliver a show that highlighted the different Ukrainian theatrical dance styles that are evolving across the Canadian prairies. “Western Canada is home to a number of the largest and well-established Ukrainian dance organizations in Canada – so it seemed a perfect fit to join forces to develop this fusion of dance. This is the first time ever, that three major Ukrainian dance companies have come together under one banner to present such a diverse program,” said Senior Producer Lawrence Prout in a press release. Starting in Edmonton on September 26th, the third and final show was held on November 1st in Winnipeg.
Study groups and roundtables: they're talking about dance
>> by Naomi Brand
This fall has seen a number of initiatives aimed at facilitating discussion about dance. The Toronto Dance Theatre is presenting a series of lecture discussions entitled "Contemporary Dance 101: Enrich your viewing experience". The first installment will take place on November 9th at 7pm at the Winchester Street Theatre in Toronto. The session will be hosted by Bridget Cauthery, Ph.D in Dance Studies, and will provide an overview of key concepts and dance artists from the past century (www.tdt.org). Another initiative is the Toronto Thinking Out Loud Study Group presented by The Dancemakers Centre for Creation and The Dance Current. The monthly meetings facilitated by Jacob Zimmer and Megan Andrews aim to deepen thinking about dance (www.readingwritingdancing.blogspot.com). In Montréal, the Department of Dance at the Université du Québec à Montréal is hosting Tribune 840, a series of round-table discussions looking at issues surrounding creation and interpretation in dance. The second in their series is entitled "Quelle préparation pour une danse de création?" and will be hosted on November 4th with panelists Lucie Boissinot, Sylvain Lafortune, Nina Dipla, Johanna Bienaise and Sarah Dell'Ava (www.danse.uqam.ca).
This fall has seen a number of initiatives aimed at facilitating discussion about dance. The Toronto Dance Theatre is presenting a series of lecture discussions entitled "Contemporary Dance 101: Enrich your viewing experience". The first installment will take place on November 9th at 7pm at the Winchester Street Theatre in Toronto. The session will be hosted by Bridget Cauthery, Ph.D in Dance Studies, and will provide an overview of key concepts and dance artists from the past century (www.tdt.org). Another initiative is the Toronto Thinking Out Loud Study Group presented by The Dancemakers Centre for Creation and The Dance Current. The monthly meetings facilitated by Jacob Zimmer and Megan Andrews aim to deepen thinking about dance (www.readingwritingdancing.blogspot.com). In Montréal, the Department of Dance at the Université du Québec à Montréal is hosting Tribune 840, a series of round-table discussions looking at issues surrounding creation and interpretation in dance. The second in their series is entitled "Quelle préparation pour une danse de création?" and will be hosted on November 4th with panelists Lucie Boissinot, Sylvain Lafortune, Nina Dipla, Johanna Bienaise and Sarah Dell'Ava (www.danse.uqam.ca).
Tuesday, November 3, 2009
Cas Public appoints assistant to the artistic director
>> by Jaimée Horn
Pierre Lecours has been appointed assistant to Hélène Blackburn, choreographer and artistic director of the Montréal company Cas Public. He will assume several of the many responsibilities related to running the company. Lecours graduated from LADMMI in 1999 and has since distinguished himself as a dancer and choreographer. Within the last ten years, he has created fifteen pieces and has performed with several companies including La Fondation Jean-Pierre Perreault, Cas Public, Whatwhatiwhat, Le Carré des Lombes and O Vertigo. Lecours’s presence will allow Blackburn to better respond to directorial demands and other projects of interest. Blackburn believes the new position also addresses the need to transfer the experience and artistic expertise required to run a company to the next generation of choreographers. This skill set is rarely part of dance trainees’ curricula; however, it is an important element of their professional reality. In Lecours’s upcoming work Les Steppes, Blackburn will take the stage again, alongside the dancers. She is pleased to be alleviated of some decision making, and to be working with the company members on a different level. Les Steppes, co-produced by Cas Public, opens in January 2010 at l’Agora de la danse in Montréal.
Pierre Lecours has been appointed assistant to Hélène Blackburn, choreographer and artistic director of the Montréal company Cas Public. He will assume several of the many responsibilities related to running the company. Lecours graduated from LADMMI in 1999 and has since distinguished himself as a dancer and choreographer. Within the last ten years, he has created fifteen pieces and has performed with several companies including La Fondation Jean-Pierre Perreault, Cas Public, Whatwhatiwhat, Le Carré des Lombes and O Vertigo. Lecours’s presence will allow Blackburn to better respond to directorial demands and other projects of interest. Blackburn believes the new position also addresses the need to transfer the experience and artistic expertise required to run a company to the next generation of choreographers. This skill set is rarely part of dance trainees’ curricula; however, it is an important element of their professional reality. In Lecours’s upcoming work Les Steppes, Blackburn will take the stage again, alongside the dancers. She is pleased to be alleviated of some decision making, and to be working with the company members on a different level. Les Steppes, co-produced by Cas Public, opens in January 2010 at l’Agora de la danse in Montréal.
Monday, November 2, 2009
Peter Chin work travels to Southeast Asia
>> by Cynthia Brett
Following its successful cross-country Canadian tour, Tribal Crackling Wind took Peter Chin's Transmission of the Invisible to Phnom Pehn, Cambodia, and Singapore's Da:ns Festival in October 2009. Transmission of the Invisible, which premiered February 2008 at Toronto's Enwave Theatre, explores Cambodia's efforts to renew and preserve its dance culture after 90 percent of the country's artists were killed during the Cambodian genocide of the Khmer Rouge era. The piece was created in collaboration with both Canadian and Cambodian artists over more than three years of research and in June 2009 it appeared at the Canada Dance Festival as part of "Dancing Through Cultures".
Labels:
International,
Performance
Friday, October 30, 2009
Goulish dancers deliver "Thriller-Grams" in St. John's
>> by Cynthia Brett
From October 26-30, 2009, St. John's contemporary dancers delivered live presentations of the famous Michael Jackson "Thriller" dance for a Neighbourhood Dance Works fundraiser. The "Thriller-Grams" cost $25 to order for friends and family and all proceeds will be used to provide programs for the local dance community and to fund the 20th annual Festival of New Dance in 2010. Neighbourhood Dance Works is Newfoundland's primary source of contemporary dance and production.
From October 26-30, 2009, St. John's contemporary dancers delivered live presentations of the famous Michael Jackson "Thriller" dance for a Neighbourhood Dance Works fundraiser. The "Thriller-Grams" cost $25 to order for friends and family and all proceeds will be used to provide programs for the local dance community and to fund the 20th annual Festival of New Dance in 2010. Neighbourhood Dance Works is Newfoundland's primary source of contemporary dance and production.
Labels:
Newfoundland/Labrador
Cirque du Soleil performer succumbs to injuries
>> by Cynthia Brett
On October 17, 2009 Cirque du Soleil performer Oleksandr Zhurov (Sacha) died of injuries suffered after a fall from the Russian swing during a regular training exercise. The twenty-four-year-old Ukranian artist was immediately taken to hospital following the accident where he succumbed to his injuries the next day. Cirque du Soleil issued a press release in which CEO Guy Laliberté said, "Today, it is all of Cirque that is in mourning ... An incident like this reminds us of the courage and determination displayed by our artists each and every day. They are exceptional human beings who share their talents with great generosity."
On October 17, 2009 Cirque du Soleil performer Oleksandr Zhurov (Sacha) died of injuries suffered after a fall from the Russian swing during a regular training exercise. The twenty-four-year-old Ukranian artist was immediately taken to hospital following the accident where he succumbed to his injuries the next day. Cirque du Soleil issued a press release in which CEO Guy Laliberté said, "Today, it is all of Cirque that is in mourning ... An incident like this reminds us of the courage and determination displayed by our artists each and every day. They are exceptional human beings who share their talents with great generosity."
Labels:
Obituary
Thursday, October 29, 2009
DSW launches new initiatives to develop Alberta choreographers
>> by Naomi Brand
Calgary's Dancers' Studio West (DSW) is gearing its 2009/10 season towards developing choreographers with three newly envisioned programs. First, Alberta Dance Explosions, now in its thirtieth year, has accepted twelve choreographers to create new works for the festival with the mentorship of DSW Artistic Director Davida Monk. Second, with the support of the Canada Council and the Alberta Foundation for the Arts, DSW is launching a six-week choreographic lab modelled after the work previously done at Le Groupe Dance Lab. Alberta choreographers Helen Husak and Jason Stroh will each have three weeks of lab time in spring 2010. Auditions are being held on November 7th for dancers for the lab. Third, DSW and New Dance Horizons in Regina have teamed up to initiate the Prairie Dance Circuit. Both organizations will present two artists from the other city thus providing prairie artists the opportunity to tour, gain exposure and get feedback from new audiences. Negotiations are underway with the Feats Festival and Brian Webb in Edmonton, Springboard Performance in Calgary, and Winnipeg Contemporary Dancers to grow the Prairie Dance Circuit into a larger network of presenters for next season. www.dswlive.ca
Labels:
Alberta
Husky Energy donates $1-Million to the Banff Centre
>> by Naomi Brand
Husky Energy Inc. made a $1-million donation to the Banff Centre for the Arts. The donation will be directed to continued support of the Midsummer Ball, the centre's flagship fundraiser, and to the revitalization of the centre's campus. Husky has been a supporter of the centre since 1986, and presenting sponsor of the Midsummer Ball since 1998. As part of the Banff Centre Revitalization project, the largest meeting space in the new Kinnear Centre for Creativity & Innovation, set to open in July 2010, will be named the Husky Great Hall.
Labels:
Alberta
Fluid Movement Arts Festival celebrates physical performance
>> by Naomi Brand
Calgary's Fluid Movement Arts Festival wrapped up its fourth year on October 25th. The week-long festival presented by Springboard Performance merges contemporary dance and physical performance from local, national and international artists. This year's festival presented Calgary artists in a small-stage cabaret; two showcases of artists whose work has been imprinted by Alberta, including Helen Husak, Tania Alvarado and Lin Snelling; as well as Montréal Danse and the international headliner The Hofesh Shechter Company from the UK. The festival was rounded out by a full schedule of classes, workshops and artist talks.
http://www.springboardperformance.com/
Labels:
Alberta,
Festival,
Performance
Tuesday, October 27, 2009
Zata Omm Dance Projects seeks tech specialists
>> by Samantha Mehra
Friday, October 23, 2009
IMPACT 09: Waterloo Region's theatre festival
>> by Brittany Duggan
Ribbon-cutting ceremony for newly restored The Cultch
>> by Brittany Duggan
October 15th marked the official opening of the newly restored Historic Theatre and Vancity Culture Lab studio theatre at The Cultch. Executive Director Heather Redfern was joined for the ribbon-cutting by dignitaries from municipal, provincial and federal governments in the space’s East Vancouver location. With programming in theatre, dance and music, The Cultch plays host to local, national and international artists. Past dance guests have included Lola Dance, Paul André Fortier, La La La Human Steps, La Compagnie Marie Chouinard, O Vertigo and The Holy Body Tattoo. The space is an important cultural landmark for the city of Vancouver.
Labels:
British Columbia
Thursday, October 8, 2009
New "Healthy Dancer" organization may be on horizon
>> by Jacqueline Hansen
Canada may soon be home to a new healthy dancer organization. Medical professionals, dance instructors and dancers came together to share and discuss ideas at the second annual Healthy Dancer Canada symposium on September 26th, 2009. The conference was centered on how to foster healthy dancers in Canada, and the importance of doing so. The full-day event, complete with a warm-up to start and a dance performance halfway through, hosted eight short presentations focussed on topics such as full-body wellness, injury prevention, nutrition, training and rehabilitation. The symposium attracted specialists from across Canada as presenters and attendees. But the coordinators aren’t satisfied just yet. A goal of this years’ meet was to decide if the creation of an organization focussed on fostering healthy dancers is needed; the answer was yes. Coordinators and delegates of the event recognized that the success of the symposium, a future association, and the application of dancer-specific health information relies heavily on the ability to communicate and work together. The consensus of the group was that not one party, whether it be dancers or medical professionals, can further advance healthy dancing alone; there is a need to work as a team, be aware of each other and be comfortable seeking guidance from one another. Symposium coordinator, Stephanie Pilley-Correia, is looking for ideas as to how a Healthy Dancer conference can benefit dance artists; she can be reached at healthydancercanada@gmail.com.
Canada may soon be home to a new healthy dancer organization. Medical professionals, dance instructors and dancers came together to share and discuss ideas at the second annual Healthy Dancer Canada symposium on September 26th, 2009. The conference was centered on how to foster healthy dancers in Canada, and the importance of doing so. The full-day event, complete with a warm-up to start and a dance performance halfway through, hosted eight short presentations focussed on topics such as full-body wellness, injury prevention, nutrition, training and rehabilitation. The symposium attracted specialists from across Canada as presenters and attendees. But the coordinators aren’t satisfied just yet. A goal of this years’ meet was to decide if the creation of an organization focussed on fostering healthy dancers is needed; the answer was yes. Coordinators and delegates of the event recognized that the success of the symposium, a future association, and the application of dancer-specific health information relies heavily on the ability to communicate and work together. The consensus of the group was that not one party, whether it be dancers or medical professionals, can further advance healthy dancing alone; there is a need to work as a team, be aware of each other and be comfortable seeking guidance from one another. Symposium coordinator, Stephanie Pilley-Correia, is looking for ideas as to how a Healthy Dancer conference can benefit dance artists; she can be reached at healthydancercanada@gmail.com.
Monday, October 5, 2009
Dance Centre announces Isadora Awards recipients
>> by Brittany Duggan
Isadora Awards for Excellence in Choreography, Excellence in Performance and Excellence in Teaching were awarded to Rosario Ancer, Natalie LeFebvre-Gnam and Barbara Bourget, respectively. Ancer won for her piece Mis Hermanas: Thicker Than Water, My Sisters and I, which was premiered by her company, Flamenco Rosario, in 2008. LeFebvre-Gnam won for her performance in endORPHIN, an evening-length choreography by husband James Gnam as part of their company, the plastic orchid factory. Barbara Bourget, artistic director of Kokoro Dance, won for her long-standing role as a teacher of contemporary dance throughout BC. The Isadora Awards, named after the late dance pioneer Isadora Duncan, were instituted by The Dance Centre in 1999 to acknowledge and celebrate the achievements of the dance profession in BC. Each recipient is chosen from a jury of professionals working in the field after having been nominated by members of the dance community. The award includes fully subsidized rehearsal space at the Scotiabank Dance Centre to the value of $1000 for the year.
Isadora Awards for Excellence in Choreography, Excellence in Performance and Excellence in Teaching were awarded to Rosario Ancer, Natalie LeFebvre-Gnam and Barbara Bourget, respectively. Ancer won for her piece Mis Hermanas: Thicker Than Water, My Sisters and I, which was premiered by her company, Flamenco Rosario, in 2008. LeFebvre-Gnam won for her performance in endORPHIN, an evening-length choreography by husband James Gnam as part of their company, the plastic orchid factory. Barbara Bourget, artistic director of Kokoro Dance, won for her long-standing role as a teacher of contemporary dance throughout BC. The Isadora Awards, named after the late dance pioneer Isadora Duncan, were instituted by The Dance Centre in 1999 to acknowledge and celebrate the achievements of the dance profession in BC. Each recipient is chosen from a jury of professionals working in the field after having been nominated by members of the dance community. The award includes fully subsidized rehearsal space at the Scotiabank Dance Centre to the value of $1000 for the year.
Labels:
Awards,
British Columbia
Thursday, October 1, 2009
La danse sur les routes du Québec announces Objectif Danse
>> by Brittany Duggan
Labels:
Québec
Monday, September 28, 2009
Jay Rankin appointed Executive Director of Ballet BC
>> by Cynthia Brett
After nine seasons as managing director of Toronto Dance Theatre (TDT), Jay Rankin is resigning to join Ballet British Columbia as permanent executive director beginning November 1st, 2009. Ballet BC's board commented in a press release that they are delighted to welcome Rankin who has served non-profit arts organizations for more than thirty years. A TDT-issued press release states that since Rankin joined the company in 2000, he has refreshed TDT's touring presence across North America and Europe, implemented a multi-year professional development program, and increased the company's working capital reserve while reducing its deficit. Before joining TDT, Rankin worked in Vancouver for Karen Jamieson Dance Company and Full Circle: First Nations Peformance, among other groups. He said in a press release that he looks forward to returning to the west coast. TDT is now seeking a new managing director.
After nine seasons as managing director of Toronto Dance Theatre (TDT), Jay Rankin is resigning to join Ballet British Columbia as permanent executive director beginning November 1st, 2009. Ballet BC's board commented in a press release that they are delighted to welcome Rankin who has served non-profit arts organizations for more than thirty years. A TDT-issued press release states that since Rankin joined the company in 2000, he has refreshed TDT's touring presence across North America and Europe, implemented a multi-year professional development program, and increased the company's working capital reserve while reducing its deficit. Before joining TDT, Rankin worked in Vancouver for Karen Jamieson Dance Company and Full Circle: First Nations Peformance, among other groups. He said in a press release that he looks forward to returning to the west coast. TDT is now seeking a new managing director.
Labels:
British Columbia,
Ontario
New school premises for LADMMI
>> by Natasha Frid
Les Ateliers de danse moderne de Montréal inc. (LADMMI) is now on the path to receiving a brand new home. Montreal city council decided on September 21st, 2009 to sell the vacant lot surrounding the St-Laurent subway station to the Angus Development Society, which plans to build a cultural centre. LADMMI will be located on the top floor of the new building and its space will include large studios, a gym, student services areas, a library and a laboratory studio that will replicate a theatre space. LADMMI’s current building on rue Sainte-Catherine Ouest will no longer be used once the move is complete. The project is slated to finish by fall 2011 and will also include professional training schools for digital photography, jewellery craft and the Cinema Parallèle.
Les Ateliers de danse moderne de Montréal inc. (LADMMI) is now on the path to receiving a brand new home. Montreal city council decided on September 21st, 2009 to sell the vacant lot surrounding the St-Laurent subway station to the Angus Development Society, which plans to build a cultural centre. LADMMI will be located on the top floor of the new building and its space will include large studios, a gym, student services areas, a library and a laboratory studio that will replicate a theatre space. LADMMI’s current building on rue Sainte-Catherine Ouest will no longer be used once the move is complete. The project is slated to finish by fall 2011 and will also include professional training schools for digital photography, jewellery craft and the Cinema Parallèle.
Judith Marcuse wins Jacqueline Lemieux Prize
>> by Naomi Brand
Vancouver artistic director, producer and choreographer Judith Marcuse has been awarded the 2009 Jacqueline Lemieux Prize. The prize, valued at $6,000, is awarded annually to the most deserving applicant in the Canada Council Grants to Dance Professionals program. The prize is awarded in memory of Jacqueline Lemieux and her contribution to Canadian dance. Marcuse was chosen by a peer assessment committee consisting of Carol Anderson (Toronto), Margaret Grenier (Vancouver) and Kenneth Roy (Montreal). Judith Marcuse has had a distinguished international career as a dancer, choreographer, teacher, director and producer in dance, theatre, opera, television and film. At the core of her work is a commitment to the marriage of artistic excellence and social relevance and a passion to integrate art into community life. Marcuse is the founder and co-director of the International Centre of Art for Social Change (ICASC) at Simon Fraser University, a global hub for networking, training, professional development, research and community outreach in the field of art for social change (www.icasc.ca).
Vancouver artistic director, producer and choreographer Judith Marcuse has been awarded the 2009 Jacqueline Lemieux Prize. The prize, valued at $6,000, is awarded annually to the most deserving applicant in the Canada Council Grants to Dance Professionals program. The prize is awarded in memory of Jacqueline Lemieux and her contribution to Canadian dance. Marcuse was chosen by a peer assessment committee consisting of Carol Anderson (Toronto), Margaret Grenier (Vancouver) and Kenneth Roy (Montreal). Judith Marcuse has had a distinguished international career as a dancer, choreographer, teacher, director and producer in dance, theatre, opera, television and film. At the core of her work is a commitment to the marriage of artistic excellence and social relevance and a passion to integrate art into community life. Marcuse is the founder and co-director of the International Centre of Art for Social Change (ICASC) at Simon Fraser University, a global hub for networking, training, professional development, research and community outreach in the field of art for social change (www.icasc.ca).
Labels:
Awards,
British Columbia,
National
Sunday, September 27, 2009
Senior Artists' Research Project looking for input
>> by Naomi Brand
The Senior Artists’ Research Project is looking for input from artists 60 years old and over from all disciplines. The research project is initiated by a steering committee of Canadian arts organizations that includes representation from actors, dancers, musicians, directors, visual artists and writers. The group is launching the first-ever assessment of the situation and needs of senior artists in Canada. Senior artists are invited to participate in an online survey and “town hall” discussions being held across the country about their needs and interests in areas such as artistic activity, health care, housing, retirement, financial issues, community connections and social networks. The research is being conducted by Hill Strategies Research. The information gathered will be used to improve current services and establish new services that best meet artists’ needs and interests. Up-to-date information on town hall meetings can be found at http://www.hillstrategies.com/resources_details.php?resUID=1000320 and surveys of the situation and needs of senior artists are available at http://www.seniorartists.ca/.
The Senior Artists’ Research Project is looking for input from artists 60 years old and over from all disciplines. The research project is initiated by a steering committee of Canadian arts organizations that includes representation from actors, dancers, musicians, directors, visual artists and writers. The group is launching the first-ever assessment of the situation and needs of senior artists in Canada. Senior artists are invited to participate in an online survey and “town hall” discussions being held across the country about their needs and interests in areas such as artistic activity, health care, housing, retirement, financial issues, community connections and social networks. The research is being conducted by Hill Strategies Research. The information gathered will be used to improve current services and establish new services that best meet artists’ needs and interests. Up-to-date information on town hall meetings can be found at http://www.hillstrategies.com/resources_details.php?resUID=1000320 and surveys of the situation and needs of senior artists are available at http://www.seniorartists.ca/.
Labels:
National
Saturday, September 26, 2009
University Celebrates 100 Years of Dance
>> by Christa Lochead
In June 2009, the University of Michigan presented “Dancing at 100: Celebrating a Century of Dance.” The five-day event included a public lecture by York University Professor Emerita Dr. Selma Odom entitled "The Dance Knowledge Expansion: Generations of Research and Teaching." One of the earliest universities in North America to include dance in a curriculum, the University of Michigan first offered “Aesthetic Dancing” through the Department of Physical Education for Women in 1909.
In June 2009, the University of Michigan presented “Dancing at 100: Celebrating a Century of Dance.” The five-day event included a public lecture by York University Professor Emerita Dr. Selma Odom entitled "The Dance Knowledge Expansion: Generations of Research and Teaching." One of the earliest universities in North America to include dance in a curriculum, the University of Michigan first offered “Aesthetic Dancing” through the Department of Physical Education for Women in 1909.
Saturday, September 19, 2009
Community-minded movement school opens in Toronto
>> by Naomi Brand
Professional dance educator and scholar Ann-Marie Williams opened a new community-minded movement school in the Leslieville neighbourhood of Toronto this fall. The Movement Lab brings together private and public dance education. The school offers after-school dance classes for both children and adults with profits going to the Movement Outreach Lab Program – a free learning-through-movement program for public schools and non-profit community groups. Williams has worked with the CanDance network and Dance Ontario and has been teaching in universities, schools and studios for over a decade.
www.movementlab.ca
Professional dance educator and scholar Ann-Marie Williams opened a new community-minded movement school in the Leslieville neighbourhood of Toronto this fall. The Movement Lab brings together private and public dance education. The school offers after-school dance classes for both children and adults with profits going to the Movement Outreach Lab Program – a free learning-through-movement program for public schools and non-profit community groups. Williams has worked with the CanDance network and Dance Ontario and has been teaching in universities, schools and studios for over a decade.
www.movementlab.ca
Labels:
Ontario
Friday, September 4, 2009
BC artists set to rally
>> by Amy Bowring
The dance community of Vancouver will join artists of other disciplines for a rally in protest of recent funding cuts announced by the BC government on September 1st. Artists are asked to meet at the Scotiabank Dance Centre at 11:30am on Wednesday, September 9th. The group will then walk to Robson Square to join other artists for a rally at 12:00pm. Participants are asked to dress in grey to represent what a community without art looks like; the group will stand in a silent grey square for thirty minutes. More: http://www.hs.facebook.com/event.php?eid=129465534210.
The dance community of Vancouver will join artists of other disciplines for a rally in protest of recent funding cuts announced by the BC government on September 1st. Artists are asked to meet at the Scotiabank Dance Centre at 11:30am on Wednesday, September 9th. The group will then walk to Robson Square to join other artists for a rally at 12:00pm. Participants are asked to dress in grey to represent what a community without art looks like; the group will stand in a silent grey square for thirty minutes. More: http://www.hs.facebook.com/event.php?eid=129465534210.
BC artists facing unprecedented funding cuts
>> by Amy Bowring
When the BC provincial budget update was announced on September 1st, artists discovered that they were facing another round of cuts. BC MLA and NDP Culture Critic Spencer Herbert stated in a newsletter to his supporters that he estimates the cut to arts and culture to be 92 percent. He writes, “The BC Liberal’s are cutting arts and culture funding from approximately 47.8 million in 2008/09 down to 3.7 million in 2010/11.” Previously, the government had also frozen multi-year Direct Access gaming grants but has now reinstated this source of funding. The budget update has been surrounded by much confusion and details are still emerging as artists rally to find ways to cope with the situation. Tourism, Culture and the Arts Minister Kevin Krueger has so far been unavailable for comment.
When the BC provincial budget update was announced on September 1st, artists discovered that they were facing another round of cuts. BC MLA and NDP Culture Critic Spencer Herbert stated in a newsletter to his supporters that he estimates the cut to arts and culture to be 92 percent. He writes, “The BC Liberal’s are cutting arts and culture funding from approximately 47.8 million in 2008/09 down to 3.7 million in 2010/11.” Previously, the government had also frozen multi-year Direct Access gaming grants but has now reinstated this source of funding. The budget update has been surrounded by much confusion and details are still emerging as artists rally to find ways to cope with the situation. Tourism, Culture and the Arts Minister Kevin Krueger has so far been unavailable for comment.
Thursday, September 3, 2009
Ride out economic storm says report
>> by Naomi Brand
Canada's Performing Arts Alliance released its report last week entitled Our Fiscal Performance, which summarizes the findings of its survey conducted in May 2009. The report examines the financial impact of the current economic downturn on orchestras, operas, theatres and dance companies. While the survey found that 51% of performing arts organizations were forecasting that they would break even or have a surplus this year, 47% report that the forecast is worse than they originally budgeted. As a result, organizations were taking such steps as reducing or freezing salaries (52%), reducing travel (37%) and reducing the number of productions/programs (27%). Eighty-nine performing arts organizations from across Canada participated in the survey. Three follow-up surveys are planned over the next year to track trends and changes to come.
Canada's Performing Arts Alliance released its report last week entitled Our Fiscal Performance, which summarizes the findings of its survey conducted in May 2009. The report examines the financial impact of the current economic downturn on orchestras, operas, theatres and dance companies. While the survey found that 51% of performing arts organizations were forecasting that they would break even or have a surplus this year, 47% report that the forecast is worse than they originally budgeted. As a result, organizations were taking such steps as reducing or freezing salaries (52%), reducing travel (37%) and reducing the number of productions/programs (27%). Eighty-nine performing arts organizations from across Canada participated in the survey. Three follow-up surveys are planned over the next year to track trends and changes to come.
Labels:
National
MOTUS O receives $310,000 grant
>> by Cynthia Brett
MOTUS O dance theatre announced that they have been awarded a $310,000 grant from the Ontario Trillium Foundation. Located in Stouffville ON, the company will use the five-year partnership grant to foster the arts community in the York region by incorporating a variety of artists and local groups into its productions of Perspectives and A Christmas Carol. MOTUS O is an international touring company that has been fusing dance, theatre, film and music to create works of pathos and comedy since its inception in 1990.
MOTUS O dance theatre announced that they have been awarded a $310,000 grant from the Ontario Trillium Foundation. Located in Stouffville ON, the company will use the five-year partnership grant to foster the arts community in the York region by incorporating a variety of artists and local groups into its productions of Perspectives and A Christmas Carol. MOTUS O is an international touring company that has been fusing dance, theatre, film and music to create works of pathos and comedy since its inception in 1990.
Labels:
Funding
Tuesday, September 1, 2009
Canada Council welcomes back Bernard Sauvé
>> by Naomi Brand
In July, Bernard Sauvé returned to the Dance Section at the Canada Council for the Arts as a programs officer; he was previously a programs officer from October 2006 to March 2007. Sauvé has been active in the dance sector for twenty-three years first as a dancer with Ballet British Columbia, among other companies, then in arts management. He is the co-founder of Eponymous Productions and Management Inc., and worked with The Holy Body Tattoo, Lola Dance, Kidd Pivot, Wen Wei Dance, Dance House and others. Sauvé will be responsible for the council's dissemination programs and the Grants to Dance Professionals program.
In July, Bernard Sauvé returned to the Dance Section at the Canada Council for the Arts as a programs officer; he was previously a programs officer from October 2006 to March 2007. Sauvé has been active in the dance sector for twenty-three years first as a dancer with Ballet British Columbia, among other companies, then in arts management. He is the co-founder of Eponymous Productions and Management Inc., and worked with The Holy Body Tattoo, Lola Dance, Kidd Pivot, Wen Wei Dance, Dance House and others. Sauvé will be responsible for the council's dissemination programs and the Grants to Dance Professionals program.
Labels:
National
Monday, August 31, 2009
Preservation and facility issues brought to light in St. John's
>> by Naomi Brand
In response to the lack of office, studio and rehearsal space in St. John's, the Artists Infrastructure Committee (AIC), a sub-committee of the city's Arts Advisory Committee, has held focus groups and conducted a survey to further clarify artists' needs. Among the AIC's next steps is to develop a conceptual plan, funding strategy and governance plan for the construction of a centre for the arts. In related St. John's news, preservation issues have been brought to light in a report that summarizes discussions from The Dance Heritage Think Tank – a gathering of dance professionals who met February 21, 2009. The report identifies needs and goals related to dance preservation in Newfoundland and Labrador and makes key recommendations.
In response to the lack of office, studio and rehearsal space in St. John's, the Artists Infrastructure Committee (AIC), a sub-committee of the city's Arts Advisory Committee, has held focus groups and conducted a survey to further clarify artists' needs. Among the AIC's next steps is to develop a conceptual plan, funding strategy and governance plan for the construction of a centre for the arts. In related St. John's news, preservation issues have been brought to light in a report that summarizes discussions from The Dance Heritage Think Tank – a gathering of dance professionals who met February 21, 2009. The report identifies needs and goals related to dance preservation in Newfoundland and Labrador and makes key recommendations.
Labels:
Newfoundland/Labrador
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