>> by Cynthia Brett
A National Compensation Study conducted by the Cultural Human Resource Council (CHRC) concludes that Not-for-Profit arts organizations continue to lag behind the general Not-for-Profit sector in areas of compensation and benefits, making it difficult to recruit and retain management and administrative staff. The study updates a similar one that was conducted in 2003 because of a growing concern in the arts management labour force: as older generations of managers retire, others in the sector seek better pay and benefits elsewhere. Hence, the turnover rate in Not-for-Profit arts organizations is high: 20% compared to 12% in similar sectors. Although the study shows some improvements since 2003, especially in larger organizations, it states that, "small and mid-sized organizations will likely continue to struggle with attracting and retaining director/management personnel because of limited ability to offer competitive salaries and benefits." Senior Arts Consultant/Manager Jane Marsland commented that, "The reality is that jobs in the arts sector will always be financially under remunerated compared to jobs in the private sector. While we should always be striving to develop the resources to fairly compensate people for their work and contribution, we also need to develop human resource principles and policies in our organizations that will attract the people we need and want for our companies. In my experience the people I've met over the years desired meaningful work, the opportunity to make a difference, to learn, to have a sense of ownership in their job, to develop leadership skills, and most important, to have the security that comes from the knowledge that the work they are currently doing is preparing them to go out and find other positions that will allow them to continue to grow and progress in their career. If we cannot satisfy those values, we will certainly never attract and hold the new generation of arts managers."
Monday, December 14, 2009
Toronto City Council approves billboard tax
>> by Brittany Duggan
A seven-year campaign to pass a tax on billboard advertisers, which would raise money for arts initiatives across the city, was successful when a new bylaw was passed December 7th at Toronto City Hall. Originally scheduled for December 1st, the vote was delayed as the debate within city council stretched over days until a new bylaw governing billboards was agreed upon, with votes 29-12. Strong support from the arts community came largely from the Beautifulcity.ca Alliance, an organization serving over fifty local arts groups under the administrative umbrella of Schools without Borders. The tax to billboard advertisers will potentially create $9 million in revenue to be allotted to the general revenue stream of the city’s budget. The tax has yet to be put before the budget committee, who are set to meet during the 2010 budget process this winter to deliberate on the disbursement of funds to support art in the public sphere. Beautification and cultural projects from these funds could include public art, murals, sculptures, festivals, accessible programming, free admission and outdoor performances. The tax will be imposed starting in April 2010. For more information visit: www.beautifulcity.ca.
A seven-year campaign to pass a tax on billboard advertisers, which would raise money for arts initiatives across the city, was successful when a new bylaw was passed December 7th at Toronto City Hall. Originally scheduled for December 1st, the vote was delayed as the debate within city council stretched over days until a new bylaw governing billboards was agreed upon, with votes 29-12. Strong support from the arts community came largely from the Beautifulcity.ca Alliance, an organization serving over fifty local arts groups under the administrative umbrella of Schools without Borders. The tax to billboard advertisers will potentially create $9 million in revenue to be allotted to the general revenue stream of the city’s budget. The tax has yet to be put before the budget committee, who are set to meet during the 2010 budget process this winter to deliberate on the disbursement of funds to support art in the public sphere. Beautification and cultural projects from these funds could include public art, murals, sculptures, festivals, accessible programming, free admission and outdoor performances. The tax will be imposed starting in April 2010. For more information visit: www.beautifulcity.ca.
Labels:
Ontario
Five Ontario communties to receive artsVest grants
>> by Cynthia Brett
Andrea Vagianos new managing director at TDT
>> by Brittany Duggan
Andrea Vagianos has been named the new managing director of Toronto Dance Theatre. Board president Chris Kelly announced the news on November 11th. Currently the general manager of the School of Toronto Dance Theatre, Vagianos brings over twenty years of experience in the cultural sector to her new post. "I’m thrilled to be joining Toronto Dance Theatre as its new Managing Director. The prospect of working as a partner with Christopher House in both the execution of his artistic vision, and in improving the existing facilities at 80 Winchester Street – for the Company, The School of TDT, and the community at large – is very exciting. I am fortunate to become a part of the Company when it is in such a healthy financial and vibrant artistic state," said Vagianos in the company’s press release. She will begin her new role in January 2010.
Thursday, December 10, 2009
York U. prof's research mentioned in NY Times
>> by Brittany Duggan
The research of Patrick Alcedo, assistant professor in the Department of Dance at York University, was mentioned in The New York Times on November 12th, 2009, for his role as co-producer of a multimedia project that looked at the role of boxing for young men in the Philippines. Alcedo's research for this project, inspired by boxing champion Manny Pacquiao, was summarized in the paper’s online Sports section in a video clip titled “Boxing To Be The Next Pacquiao” and looks at how these young men are trying to escape poverty by boxing for money in hopes of reaching international fame. Dr. Alcedo is currently writing a book about the Ati-atihan festival, a street dance festival that is celebrated in his hometown of Kalibo, Aklan, in the Philippines and by Filipino diasporic communities in the U.S. and Canada. He was also recently elected to the board of the international Congress on Research in Dance.
battery opera charges $267.67 per ticket
>> by Samantha Mehra
As a response to British Columbia's recent arts budget cuts, Vancouver's battery opera will charge $267.67 per ticket for its remount of -LIVES WERE AROUND ME-, a guided tour taking place November 7th and 24th, and December 1st, 8th and 15th. The high ticket price is intended to reflect the actual costs of creating a production, and to comment on the function of public funding for the arts. If patrons cannot afford tickets, the company will accept donations on a first-come first-served basis. (http://www.batteryopera.com/works/lives-were-around-me/).
Labels:
British Columbia,
Funding,
Performance
Dance Central goes electronic
>> by Samantha Mehra
Dance Central, The Dance Centre's newsletter, will now be distributed electronically only. The move is a result of concerns over the environment, administrative costs, and membership needs. Features such as advertising and shared-cost mailings will remain available. Those interested are asked to direct inquiries to member services, or to log on to the member section of The Dance Centre's website for more information. (http://www.thedancecentre.ca).
Labels:
British Columbia,
Changes
Monday, December 7, 2009
Thesis studying CADA-ON's PSD now available
>> by Brittany Duggan
A thesis titled “The Evolution of Professional Standards for Dance in Ontario: CADA-ON and the PSD” was recently completed by dance researcher Christa Lochead as part of her Master's degree at York University. Now bound by the university, the thesis is publicly available for consultation. Through research with the Ontario chapter of the Canadian Alliance of Dance Artists (CADA-ON) during its 2008/09 fiscal year, Lochead was able to investigate the impact of CADA’s Professional Standards for Dance (PSD). “It is wonderful to see this document added to the research in dance,” commented Elizabeth Chitty, executive director of CADA-ON, a professional association and non-profit service organization founded by dance artists for dance artists. Lochead’s focus during her Masters in dance studies was on cultural policy and arts advocacy. Her thesis was completed in July 2009.
A thesis titled “The Evolution of Professional Standards for Dance in Ontario: CADA-ON and the PSD” was recently completed by dance researcher Christa Lochead as part of her Master's degree at York University. Now bound by the university, the thesis is publicly available for consultation. Through research with the Ontario chapter of the Canadian Alliance of Dance Artists (CADA-ON) during its 2008/09 fiscal year, Lochead was able to investigate the impact of CADA’s Professional Standards for Dance (PSD). “It is wonderful to see this document added to the research in dance,” commented Elizabeth Chitty, executive director of CADA-ON, a professional association and non-profit service organization founded by dance artists for dance artists. Lochead’s focus during her Masters in dance studies was on cultural policy and arts advocacy. Her thesis was completed in July 2009.
Labels:
Ontario
Canadian artists protest BC culture cuts
>> by Cynthia Brett
In November, artists from Vancouver and across Canada continued with protests against the BC government's decision to cut 90% of cultural funding, making it the only jurisdiction in Canada not to invest in culture. Artists dressed in grey formed squares outside a Billy Bragg concert and at a Wrecking Ball event. The Wrecking Ball is a creative and satirical evening of political theatre that began in Toronto but went national during the 2008 federal election, helping to change public opinion about the Harper government's planned culture cuts. In related news, participation in BC's budget consultation last month led the Finance Committee to recommend that the government, "Make funding of the arts a high priority in the 2010/11 budget by returning to overall actual funding levels of 2008/09."
In November, artists from Vancouver and across Canada continued with protests against the BC government's decision to cut 90% of cultural funding, making it the only jurisdiction in Canada not to invest in culture. Artists dressed in grey formed squares outside a Billy Bragg concert and at a Wrecking Ball event. The Wrecking Ball is a creative and satirical evening of political theatre that began in Toronto but went national during the 2008 federal election, helping to change public opinion about the Harper government's planned culture cuts. In related news, participation in BC's budget consultation last month led the Finance Committee to recommend that the government, "Make funding of the arts a high priority in the 2010/11 budget by returning to overall actual funding levels of 2008/09."
Labels:
British Columbia,
Funding
Scotiabank Dance Centre news
>> by Samantha Mehra
Mirna Zagar, executive director of Vancouver's Scotiabank Dance Centre, was presented a medallion in recognition of her work in developing cultural relations between Canada and Croatia. Canadian Governor General Michaƫlle Jean presented the award in late October in Zagar's hometown of Zagreb, Croatia, during Her Excellency's visit to the area. The Dance Centre says goodbye to Member Services Co-ordinator Leah Rae, who has been on staff for the last two years. As such, all membership inquiries should be directed to members@thedancecentre.ca and will be addressed as soon as possible. In November, the Centre offered several diverse workshops, including classes with Nadia Cusimano, a Body-Mind Centering instructor practicing in Berlin, London and Australia, November 23rd through 27th and November 30th through December 4th. On November 15th, Belly Dance Vancouver hosted "Geisha Mystique: Introduction to Classical Japanese Dance", a one-day workshop with Colleen Lanki of Vancouver's TomoeArts. On November 22nd, Vancouver's Julia Cha held an "Oriental Flamenco Fusion" workshop exploring movement vocabulary derived from flamenco and bellydance.
Mirna Zagar, executive director of Vancouver's Scotiabank Dance Centre, was presented a medallion in recognition of her work in developing cultural relations between Canada and Croatia. Canadian Governor General Michaƫlle Jean presented the award in late October in Zagar's hometown of Zagreb, Croatia, during Her Excellency's visit to the area. The Dance Centre says goodbye to Member Services Co-ordinator Leah Rae, who has been on staff for the last two years. As such, all membership inquiries should be directed to members@thedancecentre.ca and will be addressed as soon as possible. In November, the Centre offered several diverse workshops, including classes with Nadia Cusimano, a Body-Mind Centering instructor practicing in Berlin, London and Australia, November 23rd through 27th and November 30th through December 4th. On November 15th, Belly Dance Vancouver hosted "Geisha Mystique: Introduction to Classical Japanese Dance", a one-day workshop with Colleen Lanki of Vancouver's TomoeArts. On November 22nd, Vancouver's Julia Cha held an "Oriental Flamenco Fusion" workshop exploring movement vocabulary derived from flamenco and bellydance.
Labels:
Awards,
British Columbia,
Changes,
Workshops
Simcoe Contemporary Dancers finish up busy performance month
>> by Samantha Mehra
Simcoe Contemporary Dancers (SCD), which formed in June 2009, recently completed a busy performance month. On November 13th, the company performed Jay9 Dance Projects' Wound About, choreographed by Jannine Saarinen, as part of the "Santa's Coming!" event at Bayfield Mall in Barrie, Ontario. SCD performed the same piece, along with Sarah Lochhead's Sea Anemone, at the second annual Barrie Arts Awards on November 14th. Footage from the company's summer project "Get out and dance" was also shown at the awards show. On November 28th, the company performed company-member Nikki Russell's new work-in-progress, Loss, at Toronto's Series 8:08 Choreographic Performance Workshop at the Pia Bouman School for Ballet and Creative Movement. The Series 8:08 performance marked the company's Toronto debut.
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